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All Jan Vermeer Oil Paintings


 
 
Jan Vermeer Allegory of Painting oil painting reproduction


Allegory of Painting
mk86 c.1666 Oil on canvas 120x100cm Vienna,Kunst-historisches Museum
new9/Jan Vermeer-393293.jpgPainting ID::  33741
 

 

 
   
      

All Giovanni Domenico Cerrini Oil Paintings


 
 
Giovanni Domenico Cerrini Allegory of Painting oil painting reproduction


Allegory of Painting
. 1639(1639) Medium Oil on canvas Dimensions 129 x 108 cm (50.8 x 42.5 in) cyf
new24/Giovanni Domenico Cerrini-498858.jpgPainting ID::  80331
 

 

 
   
      

All Artemisia Gentileschi Oil Paintings


 
 
Artemisia  Gentileschi Allegory of Painting oil painting reproduction


Allegory of Painting
Oil on canvas, 965 x 737 mm (39 x 29"). cyf
new24/Artemisia Gentileschi-779935.jpgPainting ID::  83467
 

 

 
   
      

Artemisia Gentileschi
  
Italian 1593-1652 Artemisia Gentileschi Gallery Gentileschi was born on July 8, 1593 in Rome. She was the daughter of the painter Orazio Gentileschi and was trained by him. Our perception of Gentileschi has been colored by the legend surrounding her. Her alleged rape by her father colleague, the quadratura painter Agostino Tassi, when she was 17, was the subject of a protracted legal action brought by Orazio in 1611. Although she was subsequently married off to Pietro Antonio di Vicenzo Stiattesi in 1612 and gave birth to at least one daughter, she soon separated from her husband and led a strikingly independent life for a woman of her time - even if there is no firm evidence for the reputation she enjoyed in the 18th century as a sexual libertine. After her marriage, Gentileschi lived in Florence until about 1620. She then worked in Genoa and settled in Naples in 1630. Gentileschi traveled to England in 1638-40, where she collaborated with her father on a series of canvasses for the Queen House, Greenwich (now Marlborough House, London). Gentileschi died in Naples in 1652. It is tempting to adduce the established biographical data in partial explanation of the context of her art: the sympathy and vigor with which she evokes her heroines and their predicaments, and her obsession with that tale of female triumph, Judith and Holofernes. But such possibilities should not distract attention from the high professional standards that Gentileschi brought to her art. In a letter, dated July 3, 1612, to the Grand Duchess of Tuscany, Orazio claimed that "Artemisia, having turned herself to the profession of painting, has in three years so reached the point that I can venture to say that today she has no peer. Despite the obvious exaggeration, one can agree that Gentileschi art was of a consistently high quality virtually from the beginning.
Allegory of Painting
Oil on canvas, 965 x 737 mm (39 x 29"). cyf

Related Paintings to Artemisia Gentileschi :.
| Richard Parkes Bonington (1802-1828) -- View of Normandy Beach | Otto Marseus van Schrieck - Plants and Insects | Joseph Kyle - Lucretia Coffin Mott | Jacob Adriaensz Backer - Portrait of a Boy in Grey | Albert Bierstadt (177) | | A British convoy in a gale during the american war of independence | Still Life with Drinking Vessels | Cherries and Peaches | bjorkstammar | And They Still Say Fish Is Dear |


        

 

 

 

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